​

​​Concept

An installation of ceramics that encourages us to consider our responses to the imposition of bystander status by exposure to news of local and global events. We are confronted with clashes of culture, power imbalances, polarised opinions, echo-chambers, bubbles, hallucinations, algorithmic distortions and deep fakes. We can no longer easily trust what we are told, or even what we are shown.  We have evolved to rely on stereotypes to enable us to make choices in the face of information overload. We have experiences of taking sides, perhaps taking action,  or managing feelings of powerlessness when faced with apparent injustices.

 

Staging

Contrary to traditional exhibitions of functional studio ceramics, the initial staging does not seek to provide a spotlight on each individual piece. Instead, two cultures, represented by vessels, are the immediate focus. They are displayed as two non-aligned collectives. One culture is polished, controlled,  technically advanced, proud, and disciplined. It values uniformity, symmetry, and precision. Size reflects accomplishment. The other culture is rough, sometimes ragged or damaged. It is inconsistent in form.  It values spontaneity and serendipity and allows or even celebrates flaws. Symmetry and precision are avoided.

 

First impressions

First impressions will differ. Opinions may be polarised. We may take sides, gravitating towards one culture. Where will our sympathies lie? Will one culture be preferred or seen as dominant? If so, how will we manage our responses?