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Queer Materials

Artists: Giacomo Budini and SAARA138

12 February - 8 March

Opening Event: 19 February 

Queer Materials presents two emerging LGBTQIA+ textile artists that narrate Queer experiences through their practices. Textiles are an important part of Queer storytelling, having the ability to embody histories both personal and communal. Clothing and objects present opportunities for self-expression, while the making process itself can be an important communal and cultural practice - providing occasion for connection and exchange.

   

Part of Mardi Gras + Festival and Gallery Lane Cove Emerging Artists Programs.

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The Artists 

GIACOMO BUDINI​​​

Giacomo Budini is an emerging multidisciplinary artist and designer whose work delves into Transcendence, Redemption, and Salvation within Catholicism and its profound impact on individuals' thoughts and actions. Through sculpture, textiles, and installation, he represents the decadence, power, and mystery of the Transcendent. Inspired by Catholicism’s architecture, liturgy, and fashion, he draws on both remembered and imagined childhood experiences. He has a Bachelor of Fine Arts from the National Art School and has presented his work in various group exhibitions including Nous at Goodspace Gallery, Queer Contemporary and the Grad show both at the National Art School. Alongside his Fine Arts degree, he has undergone four years of self-directed training in Fashion Design. His training spans across designing, pattern making, production and styling. Recently he has worked alongside stylist Karla Clarke at Australian Fashion Week 2024 and has also trained with tailor and leather couturier, Julio Valdes.

SAARA138

SAARA138 is a visual artist and designer with a background in print design. Her practice encompasses a range of techniques including screen printing, illustration, and jewellery/accessory design. She has worked as a DTG garment printer and a hand printer of bespoke, archival fabrics and wallpapers. SAARA138's work explores a variety of themes and aesthetics including alchemy theory, mysticism, Gothic horror, and the subversion of feminine beauty. A commitment to waste consciousness is central to her practice, using second hand materials, clothing, beads, trinkets and objects sourced from op shops, vintage markets and garbage reuse centres. Her passion is in crafting unique garments and objects through these various handicraft and printmaking methods.

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